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The Vola offers a huge range of tones: from the lowest setting which allows to revive the signal adding brilliancy to each note you play, to the highest one which transforms the pedal in a dense and perfect overdrive for playing determined chords and clear solos.
Dunlop MXR Jimi Hendrix Signature Wah
The wah-wah pedal was just invented when Hendrix burst on the scene in 1967. And to this day, few players' names are more synonymous with killer wah leads and wicked, wah-driven syncopated rhythms. The wah pedal that Hendrix used was a 60s design by the Thomas Organ Company and manufactured by JEN in Italy. This is the unmistakable wah tone heard on Hendrix classics like "Up From the Sky," "Voodoo Child (Slight Return)," "Little Miss Lover" and "Still Raining, Still Dreaming." The Jimi Hendrix Signature Wah reproduces these timbres, and more, with startling accuracy. Throaty and expressive, it will fire your imagination. The vintage classic look features a sleek black Italian crinkle finish aluminum body. From its eye-catching look to its mind-bending sound, everything about this wah just screams Hendrix.
CopperSound Daedalus Reverb
Much like the engineer that it’s name derives from, Daedalus was methodically designed and crafted. As opposed to using a chip, we wanted to built the reverb off the newest Belton 3 brick. So that’s where we started. In it’s infancy, it was a simple one knob reverb. Over several months, Daedalus grew it’s wings. The addition of the Depth knob was the first step. We originally discussed implementing a shimmer feature in the pedal. This idea was replaced with an expression jack. This jack allows the user to insert any pedal into the decay of the reverb using a TRS Y cable(not included). The Blend knob was then added to give the user control over the amount of external effect being placed into the decay. The Pre Amp is the “special sauce” here. It has the ability to add volume to whatever pedal is in the expression loop. Enough volume that the external pedal is almost as loud as the initial reverberated note. This can be very useful for swells and experimental players. The Pre Amp knob also adds volume to the decay and the length of the decay. Making it a dual purpose knob. The last thing left was to fine comb the wings. This was achieved by adding the Reverb II knob. This addition allows for two separate reverb levels of independent footswitches. Set one for shorter, traditional reverb sounds and the second for longer, drawn out reverb sounds. Both Reverb knobs work with the rest of the controls.
Caroline Meteore Reverb
Imagine taking the ice bucket challenge, but you’re dunking yourself in dreams! Inspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb. We’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger.
Boss DM-2W Waza Craft Delay
Ever since being discontinued way back in 1984, the BOSS DM-2 Delay pedal has remained highly sought after by players everywhere for its warm, “bucket brigade” analog delay tone. Now, the DM is back! With the Waza Craft DM-2W, the coveted stomp has been reborn with switchable sound modes and greater versatility for today’s music styles. Using 100-percent analog circuitry, the DM-2W’s Standard mode nails the lush sound and 20-300 ms delay range of the original DM-2. Flipping into Custom mode instantly changes the sound character to a cleaner analog tone with over twice the available delay time.