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Kilobyte™ is our highly anticipated lo-fi digital delay pedal. We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re going back in time – back to when they measured data in KILOBYTES! This pedal is VERY capable of fun runaway oscillations, both by turning up the summation knob, or a controlled, high-pass filtered oscillation from the Havoc momentary foot switch. If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. A beautiful, subtle modulation circuit courtesy of our friend Jack DeVille also sweetens the repeats with just the right amount of movement.
Reverb with overdrive and regeneration controls.
3-Pack Jumper Cables (Black or Red)
PCKIT1BK 3-Pack Jumper Cables, Black or Red.
Electro Harmonix East River Drive
Electro-Harmonix creates classic overdrive in a JRC4558 IC based pedal that’s as bold as New York City. Symmetrical overdrive adds edge and gain without compromising tone. Volume and Drive take it from sweet to searing while Tone lets you dial in just the right amount of bite to cut through the mix. No matter how hard you drive it, you’re always in control. True bypass and tone that is absolutely unflinching at a musician-friendly price!
JHS Double Barrel Dual Overdrive
The Double Barrel is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face melting distortion here, but you will find overdrive with the character and stacking abilities to cover most any tonal need. The right side is our JHS-808 with more usable tone control, more focused lows, better presence and warmer clipping than the original screamers on the market. With “Version 3” we added a three way gain switch to choose between saturated/boost/crunch. The left side is our #1 selling “Morning Glory” overdrive. Transparent and open tones are what lurk inside this circuit. When these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added flexibility, due to the “order switching” toggle that lets you decide what pedal comes first in the signal chain. We are convinced that this is one of the greatest 2 in 1 pedals ever made... Seriously. If you're having problems getting the tones you want, just snatch the Double Barrel and see what happens!
Dunlop MXR Jimi Hendrix Univibe
The thick wash of Uni-Vibe® Chorus/Vibrato that permeates the landmark Band of Gypsys™ album is undeniably some of the most transcendent tone ever recorded. With its phasey, chorusy, Leslie-sounding goodness, Jimi Hendrix was able to summon startlingly rich textures that sound as if you can actually spoon them out of the speakers. This pedal delivers these classic tones in all of their stunning analog glory, and at a fraction of the size of the vintage Shin-ei unit that Hendrix used in late '69/'70. It comes emblazoned with colorful, iconic art from legendary rock artist Gered Mankowitz.
Earthquaker Devices Arpanoid Pitch Arpeggiator
The Arpanoid is the first dedicated compact polyphonic pitch arpeggiator effects pedal for the electric guitar It takes whatever notes you play and calculates an adjustable ascending or descending scale based on the root note. The Arpanoid works on complex chords as well as single notes in any key. Its eight modes feature major and minor patterns so your next jazz odyssey will remain on time and in tune. The patterns go from one octave below the input to one octave above, so there’s plenty of harmonic range. The Arpanoid has a variable “Step” control to choose the number of notes in the sequence, which determines the rhythm and meter of the pattern, along with the overall feel of the effect. Experimenting with this control will open your third eye to odd time signatures, polyrhythms, and a unique quantized hard-sync vibrato effect! Furthermore, the independent “Wet” and “Dry” controls allow you to blend the all-analog input signal with the all-digital affected signal, making the Arpanoid useful for anything from subtle ambient tone clusters to a bombastic polyphonic flourish, and the ability to use the Arpanoid fully wet makes it great for use in the studio.