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The Telegraph Stutter encompasses one of the most simple audio effects in the most unique looking package. When the key is in its traditional resting position (up), audio is passed through fully unaffected. When the key is pressed (down), the audio is fully cut and no sound will pass through. The POLARITY SWITCH allows you to reverse the orientation. Rapidly tapping the key can result in a nice fully manual tremolo effect. Having full manual control over the rate of the cut means the effect can achieve unique sounds. The tremolo does not have to be set at a predetermined rate, nor does the pattern have to be of the traditional type. Knowing Morse code can yield fun, creative “patterns.” Being a hand controlled effect, there are more benefits than being foot controlled. A tremolo rate can be tapped while manually ramping the speed up or down. Placing the device on top of your amp directly before your amp input is a good place for it. When standing in front of your amp, you can get some fun feedback and chop that up with the Telegraph. It sounds even better with your favourite fuzz or OD! The straight key has two adjustments on it. One is to adjust the tension of the spring that pushes against the key to bring it back to resting position. The other is to adjust the height between the contact points that cut the signal. This is a HAND CONTROLLED effect pedal. The Telegraph Stutter is hand made in Easton, MA USA.
10' MV Custom Straight-Straight Guitar Cable
10' MV Custom Straight-Straight Guitar Cable, Black and Red.
3-Pack Jumper Cables (Black or Red)
PCKIT1BK 3-Pack Jumper Cables, Black or Red.
Guitar Pick Storage Box
MV Logo Pick Box.
Classic T-Shirt (Symbol Logo)
Asphalt shirt + orange logo = serious street cred.
AC Noises Esplora Fuzz
The ESPLORA can make the difference for any musical genre which needs a real sonic boost, allowing to play the classic silicon fuzz sound or experimenting with the tonal options that this pedal offers.
AC Noises Ama Reverb
The Ama pedal is a spring reverb with an analog oscillation + bit crusher an it works perfectly with guitar, bass, synth and basically every kind of instrument (human voice included). If you consider yourself as a “purist”, MAYBE the AMA could offers too much atypical shades for your idea of spring reverb pedal, but if you’re always excited to create new soundscapes, atmospheres and solutions, you could definitely fall in love with this first ambient-related AC noises pedal.
CopperSound Daedalus Reverb
Much like the engineer that it’s name derives from, Daedalus was methodically designed and crafted. As opposed to using a chip, we wanted to built the reverb off the newest Belton 3 brick. So that’s where we started. In it’s infancy, it was a simple one knob reverb. Over several months, Daedalus grew it’s wings. The addition of the Depth knob was the first step. We originally discussed implementing a shimmer feature in the pedal. This idea was replaced with an expression jack. This jack allows the user to insert any pedal into the decay of the reverb using a TRS Y cable(not included). The Blend knob was then added to give the user control over the amount of external effect being placed into the decay. The Pre Amp is the “special sauce” here. It has the ability to add volume to whatever pedal is in the expression loop. Enough volume that the external pedal is almost as loud as the initial reverberated note. This can be very useful for swells and experimental players. The Pre Amp knob also adds volume to the decay and the length of the decay. Making it a dual purpose knob. The last thing left was to fine comb the wings. This was achieved by adding the Reverb II knob. This addition allows for two separate reverb levels of independent footswitches. Set one for shorter, traditional reverb sounds and the second for longer, drawn out reverb sounds. Both Reverb knobs work with the rest of the controls.
J. Rockett Squeegee Compressor
Limited Run Anniversary Collection. Experience quiet and classic compression tones in a “Perfect for any Pedalboard” mini enclosure. Unlike most compressors that squash your tone a little too much or have too much noise when kicked on our Squeegee provides toneful compression that is dead quiet and feels like real tubes working hard.