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The pedal relies on op-amps rather than transistors and three gain stages rather than four, to create its signature sound. It’s a sound that’s been described by noted Big Muff collector and historian, Kit Rae, as: “a huge, crushing Big Muff sound with more crunch… great for grungy, wall-of-sound distortion, heavy rhythm playing and heavy leads.”
10' MV Custom Straight-Straight Guitar Cable
10' MV Custom Straight-Straight Guitar Cable, Black and Red.
3-Pack Jumper Cables (Black or Red)
PCKIT1BK 3-Pack Jumper Cables, Black or Red.
Classic T-Shirt (Symbol Logo)
Asphalt shirt + orange logo = serious street cred.
Hat - Pick Hat
Never be without a guitar pick with Music Villa's popular pick hat!
Boss RC-30 Loop Station
BOSS celebrates the 10th anniversary of the LoopStation with an exciting new lineup of RC-series loopers! First out of the gate is the RC-30, a Twin Pedal multitrack looper with two synchronized stereo tracks and built-in loop effects. Plug in your instrument of choice, or even a microphone; an XLR input is provided, complete with phantom power. Record for up to three hours direct to internal memory, adding effects as you go. The USB 2.0 port lets you save your loops externally, and import/export WAV files.
Caroline Kilobyte Delay
Kilobyte™ is our highly anticipated lo-fi digital delay pedal. We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re going back in time – back to when they measured data in KILOBYTES! This pedal is VERY capable of fun runaway oscillations, both by turning up the summation knob, or a controlled, high-pass filtered oscillation from the Havoc momentary foot switch. If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. A beautiful, subtle modulation circuit courtesy of our friend Jack DeVille also sweetens the repeats with just the right amount of movement.
Dunlop MXR Jimi Hendrix Octavio Fuzz
Sporting the exact same circuit found in Jimi's original cheese wedge Octavio® Fuzz, this pedal not only provides the classic octave up effect that Hendrix utilized so potently on tracks such as One Rainy Wish, and Purple Haze, but its amazingly touch-sensitive response will inspire you to venture into uncharted sonic territory. This modern rendering of a classic one-of-a-kind effect features a status LED, true-bypass switching, a 9-volt power jack, and a much smaller Phase 90-sized enclosure emblazoned with colorful, iconic art from legendary rock artist Gered Mankowitz.
JHS The AT (Andy Timmons) Signature Channel Drive
Sometime in 2013 Andy Timmons purchased an Angry Charlie from a guitar shop in Texas, and it became his main dirt channel soon after. Having a chat with him at Winter NAMM 2015 we set out to tweak it a bit to his personal tastes and needs so that it could fit even better into his live rig. The rest is history and the JHS Pedals “AT”, AKA “The @“, was born. This is an extremely versatile pedal that covers a large range of gain territory. If you need a single pedal that can achieve the saturated tones of a real British tube amplifier with a 4x12 cab, the Andy Timmons signature pedal is where it’s “AT.“