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Sometime in 2013 Andy Timmons purchased an Angry Charlie from a guitar shop in Texas, and it became his main dirt channel soon after. Having a chat with him at Winter NAMM 2015 we set out to tweak it a bit to his personal tastes and needs so that it could fit even better into his live rig. The rest is history and the JHS Pedals “AT”, AKA “The @“, was born. This is an extremely versatile pedal that covers a large range of gain territory. If you need a single pedal that can achieve the saturated tones of a real British tube amplifier with a 4x12 cab, the Andy Timmons signature pedal is where it’s “AT.“
3-Pack Jumper Cables (Black or Red)
PCKIT1BK 3-Pack Jumper Cables, Black or Red.
Metro 16 Pedalboard
Size 16x8x1.4 inches (40.6x20.3x3.5 cm)
Pedal Power 2 Plus
Isolated power supply for pro stage and studio use.
JHS Twin Twelve V2 Overdrive
In 1963 Silvertone* introduced the 60 Watt Model 1484 guitar amplifier. Originally a student model amplifier, the 1484 has since become legendary, hard to find, and coveted by some of the biggest names in music. From the time of its debut in the Sears Catalog until its discontinuation only four years later in 1967, the model 1484 "Twin Twelve" amplifier is considered a Van Gogh of sorts as it developed a great appreciation and worth years after being discontinued. Artists such as Beck, Death Cab For Cutie, The White Stripes/Jack White, and more recently Vampire Weekend and Coldplay have brought this rare amp to the forefront of popular music. The JHS Pedals "Twin Twelve" channel drive is the first ever all analog stomp box that replicates the classic preamp/overdrive tones only found in the Silvertone 1484 "Twin Twelve" amplifier.
JHS Pulp 'N' Peel V4 Compressor / Preamp
The Pulp N Peel V4 is the result of over six years of tweaking, learning, and experimenting. The Pulp N Peel V3 has become a staple on thousands of players' boards all over the world and has gained a reputation for being the compression pedal for players who don't like compression. In version 4 we have stayed true to the things that made the PnP stand out among its competition while adding several new features that expand the circuit’s ability to reach into new territory, new tones and new ways of thinking about a compression pedal. These features include an improved detection circuit for smoother and more sustained tones, more headroom, a built in parallel overdrive-drive circuit, a tone control, and parallel 1/4" and DI outputs. Let's take a look at what makes the PnP V4 stand out in the crowd now more than ever.
Caroline Meteore Reverb
Imagine taking the ice bucket challenge, but you’re dunking yourself in dreams! Inspired by the ultra-modern line 14 of the Paris Métro and its sleek platforms of glass, steel and tile that add all kinds of cool sonic artifacts to the space, the MÉTÉORE™ (pronounced may-tay-or) is our take on reverb. We’ve kept your original signal path analog and pure, while giving you overdrive and regeneration controls to take you from spring reverb sounds to something much bigger.
Earthquaker Devices The Depths Vibe
Ahoy! Welcome to your new Depths Optical Vibe Machine! The Depths is our take on the classic optical vibe circuit. Now you can swab the decks with the same lush, pulsating, three-dimensional swirling sound you know and love, with some modern accouterments for all you land-lubbers out there. The Depths is optimized for use with all kinds of instruments, pickups, and to play well with dirt, so nobody’s left waiting on shore. If it’s got a ¼” output, plug it in and get deep! In addition to the classic vibe controls, the Depths features unique controls for “Voice” and “Throb.” The “Voice” control adjusts the midrange focus of the Depths, which is perfect for tailoring the effect to your particular instrument. Clockwise, you’ll hear a fuller sound with a low-end focus. Counter-clockwise, you’ll hear a thinner, spikier sound with a forward upper-midrange bite. The “Throb” knob adds a hefty subharmonic low-end pulse to the vibrato signal, which is especially useful on synthesizers and the bass guitar. It sounds great with a little bit of dirt on the neck pickup of a guitar, too! This works best with the “Voice” turned counter-clockwise for a warmer tone. The Depths’ “Intensity” and “Rate” controls are dialed in to give you the classic optical vibe sound at more modest settings, but dive in deeper and you’ll find anything from a smooth ultra-slow warble to sharp, speedy bursts! Also, the “Level” control has tons of output above unity on tap to combat the perceived volume loss of most vibe pedals, so your tone is always above water. And, if 9v isn’t enough to keep you afloat, the Depths may be powered at 18v for a stiffer tone with more headroom and sparkle.