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The Majestic Overdrive is our take on the classic 70’s rock tone. Inspired by Led Zeppelin’s How the West Was Won, we set out to create the ultimate Jimmy Page style overdrive. We made a pedal that has amp like sensitivity, chewy sag and squawk all while letting your guitar’s natural tone shine through. This overdrive is perfect for single coil and humbucker pickups and will fit right at home on any pedalboard ready to rock!
6” Jumper Cable (Black or Red)
EP17J06RR 6” Jumper Cable, Black or Red.
6” Straight-Straight Pedalboard Cable (Black or Red)
PC106 6” Straight to Straight Pedalboard Cable, Black or Red.
Digitech JamMan Stereo
When we developed the PDS 8000 looper pedal over twenty years ago, it looped eight seconds of audio. When we reinvented loopers in 2005 with the original JamMan®, over 6 hours worth of material could be stored on a removable media card. Now, DigiTech® has raised the bar with the new JamMan Stereo Looper with the ability to store 35 minutes of CD-quality loops in 99 internal memories as well as having an SD memory card expansion slot giving you the ability to store over 16 hours* of material in an additional 99 slots. The JamMan Stereo also features true stereo looping, reverse playback, and a mic input making it perfect for backing tracks or DJ applications. The JamMan Stereo features USB connectivity and will sync to DigiTech's free JamManager XT™ software that organizes and saves your JamMan Stereo loops to PC or Mac. JamManager also lets you quickly create custom JamLists to take to your gig.
Dunlop MXR Carbon Copy Analog Delay
Go from crisp "bathroom" slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay—made possible only by old-school analog bucket brigade technology.
JHS Twin Twelve V2 Overdrive
In 1963 Silvertone* introduced the 60 Watt Model 1484 guitar amplifier. Originally a student model amplifier, the 1484 has since become legendary, hard to find, and coveted by some of the biggest names in music. From the time of its debut in the Sears Catalog until its discontinuation only four years later in 1967, the model 1484 "Twin Twelve" amplifier is considered a Van Gogh of sorts as it developed a great appreciation and worth years after being discontinued. Artists such as Beck, Death Cab For Cutie, The White Stripes/Jack White, and more recently Vampire Weekend and Coldplay have brought this rare amp to the forefront of popular music. The JHS Pedals "Twin Twelve" channel drive is the first ever all analog stomp box that replicates the classic preamp/overdrive tones only found in the Silvertone 1484 "Twin Twelve" amplifier.
JHS Pulp 'N' Peel V4 Compressor / Preamp
The Pulp N Peel V4 is the result of over six years of tweaking, learning, and experimenting. The Pulp N Peel V3 has become a staple on thousands of players' boards all over the world and has gained a reputation for being the compression pedal for players who don't like compression. In version 4 we have stayed true to the things that made the PnP stand out among its competition while adding several new features that expand the circuit’s ability to reach into new territory, new tones and new ways of thinking about a compression pedal. These features include an improved detection circuit for smoother and more sustained tones, more headroom, a built in parallel overdrive-drive circuit, a tone control, and parallel 1/4" and DI outputs. Let's take a look at what makes the PnP V4 stand out in the crowd now more than ever.