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Taylor’s 500 Series Dreadnoughts boast several uniquely compelling design features, including a slightly shorter 24-7/8-inch scale length and a V-carve neck with a slotted headstock. The result is an inviting handfeel with less string tension — making string bends fun — and matches up well with chord strummers and vocals. The dynamic response of the Lutz spruce top works especially well with the dry, woody sound of mahogany, producing a balanced voice with crisp highs and soft lows. With Taylor’s Performance bracing optimized for the Dreadnought shape and the model’s other features, the 510e makes a musically versatile instrument that blends well with other instruments, either unplugged or amplified with Taylor’s Expression System 2 electronics.
Taylor 214ce Koa (2017)
This latest edition of our cutaway Grand Auditorium 214ce features an aesthetic update to feature attractive layered Hawaiian koa back and sides. Under the hood, upgraded internal bracing dials up the guitar’s sonic horsepower to give the solid Sitka spruce top more dynamic range. Clean appointments include white binding, Italian acrylic dot inlays, a faux tortoise shell pickguard, an ebony peghead overlay, and satin-finish back and sides with a glossy top. Together with the onboard Taylor ES2 pickup and signature Taylor playability, this guitar delivers pro-grade stage appeal in every way. It also ships in our lightweight hardshell gig bag for easy transport.
Taylor 414ce-R Indian Rosewood
The acoustic/electric Grand Auditorium 414ce-R responds well to an array of playing styles thanks to Taylor’s flagship body shape and the classic pairing of rosewood and spruce. Rosewood lends a lively overtone sparkle to the treble notes, while the guitar’s overall voice delivers a pleasing mix of warmth and tonal definition. Whether you like to strum, flatpick or play fingerstyle, this guitar makes an inspiring playing partner. Contemporary aesthetic strokes include white binding, Italian acrylic dot fretboard inlays, a three-ring rosette, and a full-gloss body. The guitar comes equipped with Taylor’s Expression System® 2 acoustic electronics along with a Venetian cutaway, and ships in a Taylor deluxe hardshell case.
Martin OMXAE Black
This new X series OM 14 fret non-cutaway acoustic electric model features a Jett black HPL top, back and sides. Equipped with Fishman Sonitone electronics and a black stratabond neck with a PA profile, the OMXAE black model will please players of all levels. Also featured is a new single ring, pad printed rosette and a modern belly bridge. This model includes SUSTAINABLE WOOD CERTIFIED parts. See specifications for details.
Taylor 656ce Florentine Cutaway
Taylor’s latest design refinements add extra overall girth to our maple/spruce 12-string sound, while also highlighting maple’s articulation, enabling all the octave courses to be heard. A maple-specific back bracing profile adds warmth, and a special seasoning process for the spruce top called torrefaction produces an aged tonal character with greater acoustic resonance and responsiveness. Protein glues for the bracing and bridge boost the tonal transfer between key wood components, while an ultra-thin gloss finish minimizes dampening. A hand-rubbed “Brown Sugar” stain on the back and sides gives maple’s striking figure a beautiful violin-hued appearance without adding extra thickness to the finish. Featured appointments include grained ivoroid Wings fretboard inlays, an inlaid ebony backstrap, ebony binding with ivoroid purfling, an ebony/ivoroid rosette, and a striped ebony pickguard, along with Taylor’s Expression System® 2 acoustic electronics. The guitar features a Venetian cutaway and comes with a deluxe hardshell case.