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Even with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate. The new DD-7 takes the best features from its predecessors and expands the creative potential with Modulation Delay mode, classic modeled Analog Delay mode, External pedal control options, longer delay time, and more.
Filled with newly developed BOSS technology, the DD-500 is the most powerful and versatile stompbox delay ever created. This incredible sound-creation toolbox offers 12 distinctive delay modes with exceptional audio quality, plus deep editing controls, a graphic display, patch memories, MIDI, and much more. From basic echo to dead-on emulations of classic delays to incredibly lush spatial textures that take your breath away, the DD-500 will launch your music places you never thought possible.
We've built all that is great about the original Vortex Flanger into a mini form factor so there's room for killer flange sounds no matter what your board looks like. Vortex Mini Flanger is TonePrint enabled. This means you get the revered TC sound multiplied to infinity with rockstar-customized versions of the best flange sounds known to guitarkind- free of charge!
The new C9 Organ Machine springboards off the revolutionary B9 to mine another rich vein of classic gold and provide players with nine more definitive organ and keyboard sounds. The C9 will transform your instrument into a convincing full body, electric organ or vintage electronic keyboard. For each preset chosen, it also provides precise control over important elements of that sound’s sonic fingerprint like percussive click, modulation, attack/sustain, drawbar setting or high frequency content. Blend your dry signal to create beautiful layers.
Crystalline digital delays up to 1.5 seconds without nasty self-oscillation. Luscious reverbs that seem to last forever, like a collect call from beyond the fourth dimension. Ethereal ambient soundscapes that drift off into outer space like a psychedelic shooting star. Over ten thousand pickers, grinners, heshers, singers, shredders, ivory ticklers, trumpeters, bassists, and synthesists use the Dispatch Master to make and receive music in all genres - anything from thick swatches of reverb and delay, to a quick chicken-pickin’ slapback, or even just to add a little bit of room sound to a signal that’s a tad dry. The delay signal is clear and strong, with no gross digital artifacts or tonal degradation. The reverb is massive and cavernous. With a twist of the “Mix” knob, you’ll hear everything from subtle ambient spaces, making the Dispatch Master a useful “always on” pedal; to cavernous reflections and echoes with near-infinite repeats. The Dispatch Master is designed to be a little more hi-fi than the Ghost Echo or Levitation, for those players looking for clean, articulate time-based effects in a versatile yet still compact footprint. The Delay and Reverb effects may be used separately or in tandem.