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We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound. The Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi.
Memory Toy Analog Delay
Analog delay with modulation.
Nano Plus Pedalboard
Size 18x5x1.4 inches (45.7x12.7x3.5 cm)
6” Jumper Cable (Black or Red)
EP17J06RR 6” Jumper Cable, Black or Red.
TC Electronics Sub ’N’ Up Octaver
Sub 'N' Up Octaver is the new leader of the pitch-pack. Featuring our superb next generation octave-engine and individual blend controls for dry, octave-up and two sub-octaves, Sub 'N' Up is set to deliver flawless octave tones whether you're playing complex chords or groovy single-note lines. And with the option of adding modulation to the mix via our high-powered TonePrint editor, for spacey ambient octaves, Sub 'N' Up Octaver truly is the definition of pitch perfection.
Boss VB-2 Waza Craft Vibrato
Ahead of its time when it debuted in 1982, the VB-2 Vibrato has been rediscovered by modern players looking to create unique guitar textures with stompbox effects. Thanks to its expressive, one-of-a-kind sound, this rare pedal has gone on to become one of the most valuable BOSS effects in the vintage market. Now, the progressive spirit of the VB-2 has been reborn as the Waza Craft VB-2W. Using all-analog circuitry, the VB-2W authentically reproduces the true pitch-shifted vibrato of the original pedal, and also adds an innovative new vibrato mode and real-time control function for enhanced expression.
Earthquaker Devices Arpanoid Pitch Arpeggiator
The Arpanoid is the first dedicated compact polyphonic pitch arpeggiator effects pedal for the electric guitar It takes whatever notes you play and calculates an adjustable ascending or descending scale based on the root note. The Arpanoid works on complex chords as well as single notes in any key. Its eight modes feature major and minor patterns so your next jazz odyssey will remain on time and in tune. The patterns go from one octave below the input to one octave above, so there’s plenty of harmonic range. The Arpanoid has a variable “Step” control to choose the number of notes in the sequence, which determines the rhythm and meter of the pattern, along with the overall feel of the effect. Experimenting with this control will open your third eye to odd time signatures, polyrhythms, and a unique quantized hard-sync vibrato effect! Furthermore, the independent “Wet” and “Dry” controls allow you to blend the all-analog input signal with the all-digital affected signal, making the Arpanoid useful for anything from subtle ambient tone clusters to a bombastic polyphonic flourish, and the ability to use the Arpanoid fully wet makes it great for use in the studio.
Fender Santa Ana Overdrive Pedal
We helped generate the classic guitar tones that inspired players to create new music, and now with the Santa Ana Overdrive, we’ve brought our expertise to stompboxes. LED-illuminated knobs show your control settings at a glance—even on dark stages. The exclusive, patent-applied-for, magnetically latched 9V battery door makes it quick and easy to swap batteries. Every Fender effects pedal is crafted from lightweight, durable anodized aluminum—they’ll easily withstand the rigors of touring.