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Due to its studio quality performance, powerful tone shaping EQ and rock-solid reliability, the Para DI has become an indispensable stage tool for countless musicians around the world. This roadworthy box effortlessly tames the stage and enhances any acoustic pickup for a fuller, more complex sound. The Para DI features a 5-band EQ with a tunable midrange and notch, variable gain control for passive or active pickups and a high-quality DI output for a pristine signal to the board. XLR and 1/4" outputs, and works with 9V battery or 48V phantom power.
10’ Straight-Right Angle Guitar Cable (Various Colors)
10’ Straight to Right Angle Guitar Cable. Various Colors
6” Jumper Cable (Black or Red)
EP17J06RR 6” Jumper Cable, Black or Red.
Ernie Ball VP 250K Mono Volume Pedal
Ernie Ball's original full-size mono volume pedal features a super smooth foot sweep for precise volume control and is perfectly voiced for passive audio signals. Directly behind the input jack under the footplate is a micro taper switch which provides the user two distinct volume swell rates. The Ernie Ball VP 250k's rugged construction consists of a billet aluminum housing that is virtually indestructible.
Earthquaker Devices Arpanoid Pitch Arpeggiator
The Arpanoid is the first dedicated compact polyphonic pitch arpeggiator effects pedal for the electric guitar It takes whatever notes you play and calculates an adjustable ascending or descending scale based on the root note. The Arpanoid works on complex chords as well as single notes in any key. Its eight modes feature major and minor patterns so your next jazz odyssey will remain on time and in tune. The patterns go from one octave below the input to one octave above, so there’s plenty of harmonic range. The Arpanoid has a variable “Step” control to choose the number of notes in the sequence, which determines the rhythm and meter of the pattern, along with the overall feel of the effect. Experimenting with this control will open your third eye to odd time signatures, polyrhythms, and a unique quantized hard-sync vibrato effect! Furthermore, the independent “Wet” and “Dry” controls allow you to blend the all-analog input signal with the all-digital affected signal, making the Arpanoid useful for anything from subtle ambient tone clusters to a bombastic polyphonic flourish, and the ability to use the Arpanoid fully wet makes it great for use in the studio.
TC Electronics Hall of Fame Reverb
Hall of Fame allows you to experiment and play with reverb the way you see fit. With 10 different reverb types from plates to springs to churches and back, you'll never be without a great reverb sound the way you imagine it. We don't believe in telling you what to do with your tone, and that reflects in our Hall Of Fame pedal. We've given you a wide range of routing options that compliment the sound and vibe of what you have going on or want to achieve. We even provide an analog dry-through so your dry signal can be mixed in unaffected. It's amazing that 3 tiny Decay, Tone and Level controls can give such a wide range of tonal options - bright and springy, warm and bouncy or gigantic dark reflections, it's all there in spades - and then some. This guarantees Hall Of Fame Reverb will have you coming back for more time and time again and that it will follow your creativity.
JHS The Milkman Delay / Echo
The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. Simply set it low at unity gain for an always-on enhancer that fattens up and clarifies your tone, or turn more clockwise to push your tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to emulate a hybrid of tape echo and analog BBD delay, and cover the tonal grounds between both.