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Ditto Looper is the looper you try once and love for life. And you simply gotta try it. We've taken all that is good about loopers, trimmed away all the non-essential, mood-killing tech hoopla and ended up with a looper that is intuitive, tons of fun, sounds great and doesn't break the bank. Ditto Looper simply loops. Well. It's 'one knob' button may seem like a minimalist approach, but all the essentials are there: record, undo/redo, stop and erase are all accessed via different foot-commands that always make sense, whether you are building loops, changing from one part to the next (we're looking at you, live performers) or adding layers to a song.
Polyphonic tuner with DC output for powering other pedals.
Chorus pedal with a wide variety of chorus sounds.
6” Jumper Cable (Black or Red)
EP17J06RR 6” Jumper Cable, Black or Red.
Electro Harmonix Nano Small Stone Analog Phase Shifter
Get the sound that made the Classic 1970 Small Stone famous. Generates thick sweeping phase shifting with liquid transparency. Feedback color control adds a tingling swirl. Blues players dig the Stone's rapid rotating speaker effect. Country players add tasty seasoning to their chicken pickin'. Metal-heads dig its jet plane swoosh.
Caroline Wave Cannon MKII Distortion
So, what IS the story on Wave Cannon® version 2.0, or as we’ve decided to call it, the Wave Cannon MKII Superdistorter? The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a/c window units. It’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. While it can do some extremely cool mild-to-medium crunch tones, Wave Cannon II is really capable of overwhelming your amp. The focus (mids) and tone controls are different from what we’ve done before and can give you a really broad range of textures and voicings. There is a LOT of gain and volume on tap, as we’d been infuriated in the past by great sounding classic distortion pedals we’ve owned that didn’t go far enough with clean amps, or were quieter than unity gain or the bypass signal. The rumble switch allows more low end if you want it, or lets you tighten things up if you don’t need it.
Fender Santa Ana Overdrive Pedal
We helped generate the classic guitar tones that inspired players to create new music, and now with the Santa Ana Overdrive, we’ve brought our expertise to stompboxes. LED-illuminated knobs show your control settings at a glance—even on dark stages. The exclusive, patent-applied-for, magnetically latched 9V battery door makes it quick and easy to swap batteries. Every Fender effects pedal is crafted from lightweight, durable anodized aluminum—they’ll easily withstand the rigors of touring.
Boss DD-7 Digital Delay
Even with the best-selling delays in compact-pedal history, BOSS continues to push the envelope and innovate. The new DD-7 takes the best features from its predecessors and expands the creative potential with Modulation Delay mode, classic modeled Analog Delay mode, External pedal control options, longer delay time, and more.