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T2 takes everything that made the original Trinity Reverb such a success and adds a plethora of new sounds, making this a must-have for every reverb aficionado out there! With T2 you get 10 exclusive rocking reverbs perfectly handcrafted by people that live and breathe reverb tone on a daily basis. These sounds are designed to take you from a tiny reverberating room on planet earth and then skyrocket you into outer space, with otherworldly tones that are sure to propel your creativity into the stratosphere!
Polyphonic tuner with DC output for powering other pedals.
6” Jumper Cable (Black or Red)
EP17J06RR 6” Jumper Cable, Black or Red.
Dr. No Octofuzz 60’s Fuzz Octavia
This is perhaps my most special and definitely my most “retro” invention to date! Based on all those super sexy but oh so rare and unaffordable Fuzz boxes from the 60s and 70s, the “Octofuzz” really brings that nasty and yet sweet fuzz sound that take you back to legends such as Hendrix and Page. But the “Octofuzz” is not just something for the flower power and garage adepts, it can be used with equal success in today’s more popular genres. For example people who have a Queens Of The Stone Age fetish will simply adore this tone!
Electro Harmonix Op-Amp Big Muff Pi Distortion/Sustainer
The pedal relies on op-amps rather than transistors and three gain stages rather than four, to create its signature sound. It’s a sound that’s been described by noted Big Muff collector and historian, Kit Rae, as: “a huge, crushing Big Muff sound with more crunch… great for grungy, wall-of-sound distortion, heavy rhythm playing and heavy leads.”
CopperSound Broadway Preamp
A germanium based preamp, and the second offering in our ‘Pickguard Series’, expanding on the classic Treble Booster circuit. Utilizing Tropical Fish and Silver Mica capacitors, as well as a PNP Germanium transistor, the Broadway offers a three-way tone selector switch, emulating the three pickup positions of the guitar it resembles.
CopperSound Daedalus Reverb
Much like the engineer that it’s name derives from, Daedalus was methodically designed and crafted. As opposed to using a chip, we wanted to built the reverb off the newest Belton 3 brick. So that’s where we started. In it’s infancy, it was a simple one knob reverb. Over several months, Daedalus grew it’s wings. The addition of the Depth knob was the first step. We originally discussed implementing a shimmer feature in the pedal. This idea was replaced with an expression jack. This jack allows the user to insert any pedal into the decay of the reverb using a TRS Y cable(not included). The Blend knob was then added to give the user control over the amount of external effect being placed into the decay. The Pre Amp is the “special sauce” here. It has the ability to add volume to whatever pedal is in the expression loop. Enough volume that the external pedal is almost as loud as the initial reverberated note. This can be very useful for swells and experimental players. The Pre Amp knob also adds volume to the decay and the length of the decay. Making it a dual purpose knob. The last thing left was to fine comb the wings. This was achieved by adding the Reverb II knob. This addition allows for two separate reverb levels of independent footswitches. Set one for shorter, traditional reverb sounds and the second for longer, drawn out reverb sounds. Both Reverb knobs work with the rest of the controls.