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The Arpanoid is the first dedicated compact polyphonic pitch arpeggiator effects pedal for the electric guitar It takes whatever notes you play and calculates an adjustable ascending or descending scale based on the root note. The Arpanoid works on complex chords as well as single notes in any key. Its eight modes feature major and minor patterns so your next jazz odyssey will remain on time and in tune. The patterns go from one octave below the input to one octave above, so there’s plenty of harmonic range. The Arpanoid has a variable “Step” control to choose the number of notes in the sequence, which determines the rhythm and meter of the pattern, along with the overall feel of the effect. Experimenting with this control will open your third eye to odd time signatures, polyrhythms, and a unique quantized hard-sync vibrato effect! Furthermore, the independent “Wet” and “Dry” controls allow you to blend the all-analog input signal with the all-digital affected signal, making the Arpanoid useful for anything from subtle ambient tone clusters to a bombastic polyphonic flourish, and the ability to use the Arpanoid fully wet makes it great for use in the studio.
3-Pack Jumper Cables (Black or Red)
PCKIT1BK 3-Pack Jumper Cables, Black or Red.
10' MV Custom Straight-Straight Guitar Cable
10' MV Custom Straight-Straight Guitar Cable, Black and Red.
Guitar Pick Storage Box
MV Logo Pick Box.
Hat - Pick Hat
Never be without a guitar pick with Music Villa's popular pick hat!
Dr. No TVL Raven Filter & Boost
The RAVEN completes the serie, that together with the TVL Octavia, that has been developed over the past nine months in collaboration with Queens of the Stone Age member Troy van Leeuwen. The RAVEN contains a filter and booster effect that can work separately as well as together.
Dr. No Motherbrain Analog Delay
The MotherBrain is an insanely high end quality build Delay effect, that produces classic, classy tones. This makes it the ultimate sonic tool for Guitarists, Bass Players, Keys and Vocal. Like you are used about Dr.No Effects, everything is very clear, and simple with use, but very efficient, robust and reliable. The engaged MotherBrain delay effect has no influence on your send through signal, that stays at the same level and clarity as your original signal. Preferred position is to use as the last effect in your pedal chain.
Dunlop MXR Jimi Hendrix Octavio Fuzz
Sporting the exact same circuit found in Jimi's original cheese wedge Octavio® Fuzz, this pedal not only provides the classic octave up effect that Hendrix utilized so potently on tracks such as One Rainy Wish, and Purple Haze, but its amazingly touch-sensitive response will inspire you to venture into uncharted sonic territory. This modern rendering of a classic one-of-a-kind effect features a status LED, true-bypass switching, a 9-volt power jack, and a much smaller Phase 90-sized enclosure emblazoned with colorful, iconic art from legendary rock artist Gered Mankowitz.
Caroline Wave Cannon MKII Distortion
So, what IS the story on Wave Cannon® version 2.0, or as we’ve decided to call it, the Wave Cannon MKII Superdistorter? The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a/c window units. It’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. While it can do some extremely cool mild-to-medium crunch tones, Wave Cannon II is really capable of overwhelming your amp. The focus (mids) and tone controls are different from what we’ve done before and can give you a really broad range of textures and voicings. There is a LOT of gain and volume on tap, as we’d been infuriated in the past by great sounding classic distortion pedals we’ve owned that didn’t go far enough with clean amps, or were quieter than unity gain or the bypass signal. The rumble switch allows more low end if you want it, or lets you tighten things up if you don’t need it.