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MXR knows phasers. The Phase 90’s compact size, superior construction, and refined sound put MXR on the map, and it set the standard by which all other phasers are judged. Two years later, MXR released the Phase 45—a mellower version of the effect favored for its ability to easily blend into a band's mix. Now, you can get both iconic circuits in a single pedal while tightening up your pedalboard at the same time. The Phase 95 combines the Phase 45 and Phase 90 circuits in a mini housing with about half the footprint of a standard MXR pedal. The 45/90 switch toggles between the Phase 45 mode’s subtle two-stage phasing and the Phase 90 mode’s more pronounced four-stage phasing, while the Script switch toggles between two phasing styles. The Phase 95 is set to modern style phasing by default, which relies on feedback to create light harmonic distortion and gives the effect a more accentuated swoosh. Engaging the Script switch removes feedback for a lusher, more subdued sound with higher headroom and greater clarity. The familiar Speed control sets the rate of the effect. The Phase 95 may be small, but it’s full of rich phase tones, and it’ll take a beating on the road.
Carbon Copy Analog Delay
Analog delay with up to 600 milliseconds of delay time.
Out of stock - Email when available
12” Jumper Cables (Black or Red)
EP17J12RR 12” Jumper Cables. Available in black or red.
3-Pack Jumper Cables (Black or Red)
PCKIT1BK 3-Pack Jumper Cables, Black or Red.
Boss DS-1 40th Anniversary Distortion
The DS-1 Distortion was introduced in 1978 as part of the second wave of compact pedal releases. Its hard-edged attack and smooth sustain was an instant success among guitarists, going on to fuel the signature sounds of numerous rock legends. The DS-1 has enjoyed such enduring popularity that’s it’s remained in the lineup to this day, outselling every other BOSS pedal to date. To commemorate 40 years of BOSS pedal innovation, we’ve released a special version of the DS-1 that features a black body with gold lettering, gold-capped knobs, and a vintage silver thumbscrew for the battery compartment. The pedal comes in a special box with the BOSS 40th anniversary logo, and will be available in 2017 only.
Ibanez Tube Screamer Mini
Ibanez knows your pedalboard real estate is valuable. Here's a Tube Screamer made to help you manage that hallowed ground. Same legendary pedal. Same legendary tone. Features 100% analog circuity, true bypass, made in Japan.
Boss Box-40 Compact Pedal 40th Anniversary Box Set
In celebration of four decades of compact pedal innovation and the support of millions of worldwide users, BOSS is pleased to offer the Compact Pedal 40th Anniversary Box Set. This special limited-edition commemorative package features one-time-only reissues of the OD-1 Over Drive, PH-1 Phaser, and SP-1 Spectrum, the original three BOSS compact pedal models. Only 1500 box sets will be produced, and each comes in a deluxe presentation box with the BOSS 40th Anniversary logo and a numbered message card.
Earthquaker Devices Arpanoid Pitch Arpeggiator
The Arpanoid is the first dedicated compact polyphonic pitch arpeggiator effects pedal for the electric guitar It takes whatever notes you play and calculates an adjustable ascending or descending scale based on the root note. The Arpanoid works on complex chords as well as single notes in any key. Its eight modes feature major and minor patterns so your next jazz odyssey will remain on time and in tune. The patterns go from one octave below the input to one octave above, so there’s plenty of harmonic range. The Arpanoid has a variable “Step” control to choose the number of notes in the sequence, which determines the rhythm and meter of the pattern, along with the overall feel of the effect. Experimenting with this control will open your third eye to odd time signatures, polyrhythms, and a unique quantized hard-sync vibrato effect! Furthermore, the independent “Wet” and “Dry” controls allow you to blend the all-analog input signal with the all-digital affected signal, making the Arpanoid useful for anything from subtle ambient tone clusters to a bombastic polyphonic flourish, and the ability to use the Arpanoid fully wet makes it great for use in the studio.