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The RC-3 is powerfully equipped yet conveniently housed in a compact pedal. Enjoy up to three hours of stereo recording time, storage for 99 loops, a “real drums” rhythm guide, and USB 2.0 compatibility all in a small BOSS stompbox.
6" Str-Right Angle Pedalboard Cable (Black or Red)
PC206 6" Straight to Right Angle Pedal Board Cable, Black or Red.
10' MV Custom Straight-Straight Guitar Cable
10' MV Custom Straight-Straight Guitar Cable, Black and Red.
Guitar Pick Storage Box
MV Logo Pick Box.
Can't decide? Get them a gift card! (available in $20, $50, and $100 amounts).
The DigiTech FreqOut Natural Feedback Creator allows you to get sweet, natural feedback at any volume, with or without distortion. The FreqOut is perfect for situations where volume must be controlled like in the studio, with in ear monitors, or low-volume performance and practice. However, the FreqOut can also be used at gig volume to focus out-of-control feedback on a preferred harmonic at any stage position.
CopperSound Daedalus Reverb
Much like the engineer that it’s name derives from, Daedalus was methodically designed and crafted. As opposed to using a chip, we wanted to built the reverb off the newest Belton 3 brick. So that’s where we started. In it’s infancy, it was a simple one knob reverb. Over several months, Daedalus grew it’s wings. The addition of the Depth knob was the first step. We originally discussed implementing a shimmer feature in the pedal. This idea was replaced with an expression jack. This jack allows the user to insert any pedal into the decay of the reverb using a TRS Y cable(not included). The Blend knob was then added to give the user control over the amount of external effect being placed into the decay. The Pre Amp is the “special sauce” here. It has the ability to add volume to whatever pedal is in the expression loop. Enough volume that the external pedal is almost as loud as the initial reverberated note. This can be very useful for swells and experimental players. The Pre Amp knob also adds volume to the decay and the length of the decay. Making it a dual purpose knob. The last thing left was to fine comb the wings. This was achieved by adding the Reverb II knob. This addition allows for two separate reverb levels of independent footswitches. Set one for shorter, traditional reverb sounds and the second for longer, drawn out reverb sounds. Both Reverb knobs work with the rest of the controls.
Dunlop MXR ILoveDust Carbon Copy Analog Delay
This limited edition of the world’s bestselling analog delay comes decked out in the bold, brazen art of the award-winning UK-based design crüe ILOVEDUST. Go from crisp bathroom slap echoes to epic, Gilmouresque delays with the MXR Carbon Copy Analog Delay. Featuring 600ms of delay time with optional modulation, and a three-knob layout that controls Delay, Mix, and Regen. In addition, there are two internal trim pots that offer user-adjustable width and rate control of the modulation for even more tonal options. All done by a completely analog audio path for authentic rich, warm analog delay-made possible only by old-school analog bucket brigade technology. True bypass.
Dunlop MXR Geezer Butler Cry Baby Wah
The Geezer Butler Cry Baby Bass Wah is specially designed to complement Geezer’s iconic sound—massive low end power with a midrange that cuts through the mix. Taking the aggressive Cry Baby 95Q Wah and modified its sweep so that, from the heel-down position, custom circuitry mixes in just the right amount of your dry signal. Pressing toward the toe-down position smoothly removes your dry signal to allow the aggressive part of the wah range to stand out. If you want to adjust the shape of the frequency’s bandpass, just remove the bottom plate and use the internal Q control, which is factory-set to Geezer’s preference.