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Control your volume and FX parameters without crowding your pedalboard. Saving space doesn’t mean skimping on durability or functionality—the DVP4 Mini Volume (X) Pedal does everything that the larger DVP3 does at half the size, and it’s just as durable and solidly built with a lightweight aluminum chassis, aggressive non-slip tread, and our patented Low Friction Band-Drive for a smooth range of motion and consistent, reliable performance. For maximum comfort and precision, the DVP4’s rocker tension is fully adjustable. The AUX output combines tuner and expression functionality into one jack that can be toggled with a switch inside the pedal. When using the DVP4 as an expression pedal, you can use an internal pot to set the minimum level of the parameter you’re controlling with the rocker. If you want to reverse the function of the heel-down and toe-down positions, the DVP4 has another internal switch that allows you to do so. Don’t sacrifice control over your volume level and FX pedals just because you’re using a travel-sized board. Get yourself a Volume (X) Mini Pedal.
12” Jumper Cables (Black or Red)
EP17J12RR 12” Jumper Cables. Available in black or red.
Straight-Straight Basic Guitar Cable (Black)
Straight-Straight Basic Black Guitar Cable, price varies by length.
When we developed the PDS 8000 looper pedal over twenty years ago, it looped eight seconds of audio. When we reinvented loopers in 2005 with the original JamMan®, over 6 hours worth of material could be stored on a removable media card. Now, DigiTech® has raised the bar with the new JamMan Stereo Looper with the ability to store 35 minutes of CD-quality loops in 99 internal memories as well as having an SD memory card expansion slot giving you the ability to store over 16 hours* of material in an additional 99 slots. The JamMan Stereo also features true stereo looping, reverse playback, and a mic input making it perfect for backing tracks or DJ applications. The JamMan Stereo features USB connectivity and will sync to DigiTech's free JamManager XT™ software that organizes and saves your JamMan Stereo loops to PC or Mac. JamManager also lets you quickly create custom JamLists to take to your gig.
So, what IS the story on Wave Cannon® version 2.0, or as we’ve decided to call it, the Wave Cannon MKII Superdistorter? The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a/c window units. It’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. While it can do some extremely cool mild-to-medium crunch tones, Wave Cannon II is really capable of overwhelming your amp. The focus (mids) and tone controls are different from what we’ve done before and can give you a really broad range of textures and voicings. There is a LOT of gain and volume on tap, as we’d been infuriated in the past by great sounding classic distortion pedals we’ve owned that didn’t go far enough with clean amps, or were quieter than unity gain or the bypass signal. The rumble switch allows more low end if you want it, or lets you tighten things up if you don’t need it.
BodyRez is the new must-have tool for every acoustic player out there. Designed to restore the natural acoustic resonance of your instrument when using under-saddle pickups, BodyRez gives you a more natural sound simply with the turn of a single knob. Getting great acoustic tone couldn't possibly be easier, with harmonic bliss now just a stomp away.
• Studio-Quality Acoustic Guitar Tone
• Built-In Feedback Suppression
• Restores Natural Playing Feel
The Arpanoid is the first dedicated compact polyphonic pitch arpeggiator effects pedal for the electric guitar It takes whatever notes you play and calculates an adjustable ascending or descending scale based on the root note. The Arpanoid works on complex chords as well as single notes in any key. Its eight modes feature major and minor patterns so your next jazz odyssey will remain on time and in tune. The patterns go from one octave below the input to one octave above, so there’s plenty of harmonic range. The Arpanoid has a variable “Step” control to choose the number of notes in the sequence, which determines the rhythm and meter of the pattern, along with the overall feel of the effect. Experimenting with this control will open your third eye to odd time signatures, polyrhythms, and a unique quantized hard-sync vibrato effect! Furthermore, the independent “Wet” and “Dry” controls allow you to blend the all-analog input signal with the all-digital affected signal, making the Arpanoid useful for anything from subtle ambient tone clusters to a bombastic polyphonic flourish, and the ability to use the Arpanoid fully wet makes it great for use in the studio.