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Taylor’s Grand Orchestra is the guitar equivalent of a grand piano, boasting a big, complex voice with a wonderfully dynamic response. Our maple/spruce edition features a back bracing profile that’s optimized for maple and a torrefied top, which produces an aged tonal character with greater acoustic resonance. Protein glues and an ultra-thin gloss finish minimize dampening. A new, hand-rubbed “Brown Sugar” stain on the back and sides gives maple’s striking figure a beautiful violin-hued appearance without adding extra thickness to the finish. Featured appointments include grained ivoroid Wings fretboard inlays, an inlaid ebony backstrap, ebony binding with ivoroid purfling, an ebony/ivoroid rosette, and a striped ebony pickguard, along with Taylor’s Expression System® 2 acoustic electronics. The guitar comes with a deluxe hardshell case.
Martin Dreadnought Jr E Sunburst
The D Jr. Sunburst is the newest in Martin’s line of junior size guitars designed for players looking for a big Dreadnought sound with a slightly smaller profile. Now available with a stunning satin finished sunburst top that’s made from Sitka spruce and paired with sapele back and sides for warmth and depth. The D Jr. Sunburst includes a Richlite fingerboard and bridge, and a body and neck that are also satin finished. Every D Jr. model includes a form-fitted nylon gig bag for easy transport. Affordably priced, the D. Jr. is ideal for smaller players, students, travelers, or anyone who aspires to the clarity and tone that has defined Martin instruments for more than 185 years. Includes Fishman Sonitone electronics.
Taylor 914ce GA V-Class (2018)
Our 900 Series stands out as our most luxurious class of rosewood guitars, blending a raft of tone-enhancing details with premium aesthetic features. This acoustic-electric Grand Auditorium boasts V-Class™ bracing, which functions as a new sonic engine for the guitar. Not only does it enhance the volume and sustain, it also changes the soundboard movement in a way that improves the guitar’s natural intonation, or “in-tuneness.” The result is more power in the upper register and more harmonic agreement between all fretted notes, which helps chord voicings sing like never before. Players who love the deep lows and sparkling highs of rosewood will appreciate how well behaved the overtones are as notes bloom. Premium features include a beveled ebony armrest that makes your picking/strumming arm more comfortable, along with Gotoh 510 tuners, whose 21:1 gear ratio allows for precise tuning. Refined appointments include ebony binding, our Ascension fretboard/peghead inlay in paua and pearl, a paua rosette with koa and ebony purfling, and paua/koa trim along much of the body and neck. All V-Class guitars feature a black graphite nut and a new guitar label that bears the signature of master guitar designer Andy Powers.
The resonant tone of rosewood in a body style built for balance.
Scalloped X-bracing, herringbone trim and antique white binding offers a bold, complex tone and timeless style. Sitka spruce and East Indian rosewood pair with a sleek modified low-oval neck for sound you won't want to put down and comfort that means you won't need to.
Taylor 562ce 12-Fret
Taylor’s Grand Concert 12-strings reaffirm Taylor’s heritage of easy-playing double course instruments thanks to a lap-friendly body size, a 12-fret neck, and a 24-7/8-inch scale length. The slinky handfeel makes fretting and bending strings easier, the neck and body are comfortably balanced, and the compact body produces a clear 12-string voice. The hardwood mahogany top adds just enough compression to the attack to smooth out the response, bringing an appealing consistency across the tonal spectrum, while still capturing the beautiful octave shimmer. It makes a great 12-string choice for tracking in a studio, and behaves well with other instruments in a live setting. Refined aesthetic touches include a shaded edgeburst body and neck, faux tortoise shell binding, a rosette of faux tortoise shell and grained ivoroid, and a grained ivoroid Century fretboard inlay.